Concert Vault

Stevie Wonder

Winterland (San Francisco, CA)

Mar 3, 1973

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  1. 1 For Once In My Life 03:50
  2. 2 If You Really Love Me 05:22
  3. 3 Me And Mrs. Jones 04:54
  4. 4 Superwoman (Where Were You When I Needed You) 03:32
  5. 5 I Wanna Be By Your Side 05:09
  6. 6 You Were My First, But Not My Last 06:20
  7. 7 Big Brother 03:50
  8. 8 Blowin' In The Wind 02:51
  9. 9 My Cherie Amour 04:50
  10. 10 Love Having You Around 02:31
  11. 11 Signed, Sealed, Delivered I'm Yours 03:07
  12. 12 Jam 08:30
  13. 13 Papa Was A Rolling Stone 01:40
  14. 14 Jam 01:36
  15. 15 Superstition 17:04
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Liner Notes

Stevie Wonder - vocals, piano, keyboards; Shirley Brewer - backing vocals; Scott Edwards - bass; Jim Gilstrap - backing vocals; Lani Groves - backing vocals; Loris Harvin - backing vocals; Terry Hendricks - backing vocals; Trevor Laurence - saxophone; Ollie Brown - drums, vocals; Steve Madaio - trumpet; Ray Parker, Jr. - guitar; Greg Phillinganes - keyboards; Denny Morouse - saxophone

Stevie Wonder had spent a good portion of 1972 opening for The Rolling Stones on their Exile On Main Street Tour; and the experience gave Wonder the impetus to bring his music to a huge, diverse fan base. He was now equally comfortable performing in front of smaller, intimate groups of soul music fans and large, predominantly white rock audiences. And both loved Wonder back with equal enthusiasm.

This recording came on the heels of Talking Book, Wonder's breakthrough 1972 album. While on this tour, he was writing the material that would eventually appear on 1973's Innervisions. This recording does suffer from an overpowering backup band that seems to get in the way of Wonder's talented playing and vocals during some of the songs.

In general, this is a very powerful live recording, and it remains a testament to the enormous talent of Stevie Wonder. When grouped together, it is amazing how many monumental songs he has written and recorded: "What's Going On," "For Once In My Life," "If You Really Love Me," "Superwoman," "Sign Sealed Delivered," the always infectious "Superstition" and "My Cherie Amour," here fused with an instrumental version of the Marvin Gaye classic,

Rare highlights include Wonder's astonishing version of "Me & Mrs. Jones," which is clearly as good as the Billy Paul original. Also, check out Stevie's version of Dylan's "Blowin' In The Wind," clearly the funkiest flavor of protest folk song you're ever likely to hear.

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More Stevie Wonder

Stevie Wonder - vocals, piano, keyboards; Shirley Brewer - backing vocals; Scott Edwards - bass; Jim Gilstrap - backing vocals; Lani Groves - backing vocals; Loris Harvin - backing vocals; Terry Hendricks - backing vocals; Trevor Laurence - saxophone; Ollie Brown - drums, vocals; Steve Madaio - trumpet; Ray Parker, Jr. - guitar; Greg Phillinganes - keyboards; Denny Morouse - saxophone

Stevie Wonder had spent a good portion of 1972 opening for The Rolling Stones on their Exile On Main Street Tour; and the experience gave Wonder the impetus to bring his music to a huge, diverse fan base. He was now equally comfortable performing in front of smaller, intimate groups of soul music fans and large, predominantly white rock audiences. And both loved Wonder back with equal enthusiasm.

This recording came on the heels of Talking Book, Wonder's breakthrough 1972 album. While on this tour, he was writing the material that would eventually appear on 1973's Innervisions. This recording does suffer from an overpowering backup band that seems to get in the way of Wonder's talented playing and vocals during some of the songs.

In general, this is a very powerful live recording, and it remains a testament to the enormous talent of Stevie Wonder. When grouped together, it is amazing how many monumental songs he has written and recorded: "What's Going On," "For Once In My Life," "If You Really Love Me," "Superwoman," "Sign Sealed Delivered," the always infectious "Superstition" and "My Cherie Amour," here fused with an instrumental version of the Marvin Gaye classic,

Rare highlights include Wonder's astonishing version of "Me & Mrs. Jones," which is clearly as good as the Billy Paul original. Also, check out Stevie's version of Dylan's "Blowin' In The Wind," clearly the funkiest flavor of protest folk song you're ever likely to hear.