Concert Vault

Psychedelic Blues

By: anonymous

14 songs / 1:48:46

  1. 1 Jimi Hendrix Experience / Hear My Train A Comin' 11:28
  2. 2 Cream / Sleepy Time Time 06:48
  3. 3 Fleetwood Mac / Rattlesnake Shake 09:43
  4. 4 The Paul Butterfield Blues Band / Work Song 13:35
  5. 5 Kaleidoscope / Cuckoo 05:24
  6. 6 Steve Miller Band / Mercury Blues 07:15
  7. 7 Steppenwolf / Hoochie Coochie Man 05:56
  8. 8 Quicksilver Messenger Service / I Hear You Knockin' 04:01
  9. 9 Grateful Dead / The Same Thing 11:13
  10. 10 Great Jones / I Ain't Got Long 05:22
  11. 11 Lee Michaels / Stormy Monday 04:30
  12. 12 Jefferson Airplane / Rock Me Baby 09:14
  13. 13 Moby Grape / Miller's Blues 06:08
  14. 14 Ten Years After / I Woke Up This Morning 08:09
Description
It goes without saying that the blues were a huge part of guitar-based rock and roll, so it's no wonder that powerhouses like Jimi Hendrix, Peter Green and Eric Clapton had their roots there. But, playing in bands with heavy bass tones and more ferocious drumming, they boldly explored improvisational spaces in a way that the old school blues masters never had. Simultaneously, drugs were changing the way music was made and experienced, and groups would often try to replicate that trippiness in the notes they were playing, often by using feedback, distortion and other sound effects allowed by amplification. During a recording of Traffic available in the Vault (4.30.70, Paris Theatre), the announcer John Peel says following a performance of "Pearly Queen" that "If you are a guitarist and you think you got to go on playing those same old blues riffs at ear-shattering volume in order to make it, you don't." It's hard to disagree - you certainly don't NEED to play those riffs to be successful but, as this playlist demonstrates, you sure could kick some ass with those riffs and a little bit of fearlessness.
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It goes without saying that the blues were a huge part of guitar-based rock and roll, so it's no wonder that powerhouses like Jimi Hendrix, Peter Green and Eric Clapton had their roots there. But, playing in bands with heavy bass tones and more ferocious drumming, they boldly explored improvisational spaces in a way that the old school blues masters never had. Simultaneously, drugs were changing the way music was made and experienced, and groups would often try to replicate that trippiness in the notes they were playing, often by using feedback, distortion and other sound effects allowed by amplification.

During a recording of Traffic available in the Vault (4.30.70, Paris Theatre), the announcer John Peel says following a performance of "Pearly Queen" that "If you are a guitarist and you think you got to go on playing those same old blues riffs at ear-shattering volume in order to make it, you don't." It's hard to disagree - you certainly don't NEED to play those riffs to be successful but, as this playlist demonstrates, you sure could kick some ass with those riffs and a little bit of fearlessness.