Newport Gospel Workshop 1959

By: Concert Vault

25 songs / 1:33:44

  1. 1 Prof. Herman Stevens & the Stevens Singers / Swing D… 01:08
  2. 2 Prof. Herman Stevens & the Stevens Singers / I'm Wil… 03:35
  3. 3 Prof. Herman Stevens & the Stevens Singers / Peace i… 05:24
  4. 4 Prof. Herman Stevens & the Stevens Singers / Lord, E… 04:26
  5. 5 Prof. Herman Stevens & the Stevens Singers / I Can M… 04:56
  6. 6 Jimmy Jones and The Sensationals / Friends Talk Abou… 01:58
  7. 7 Jimmy Jones and The Sensationals / Oh Lord, How Long… 03:37
  8. 8 Jimmy Jones and The Sensationals / I Don't Need Nobo… 02:58
  9. 9 The Cougarettes / Love Is The Way 03:16
  10. 10 The Cougarettes / Make It To The City 02:45
  11. 11 Professor Alex Bradford and the Bradford Specials / … 02:25
  12. 12 Professor Alex Bradford and the Bradford Specials / … 05:27
  13. 13 Professor Alex Bradford and the Bradford Specials / … 03:14
  14. 14 Professor Alex Bradford and the Bradford Specials / … 06:21
  15. 15 Professor Alex Bradford and the Bradford Specials / … 04:59
  16. 16 Julia Doyle / I'm Getting Nearer My Home 06:29
  17. 17 Julia Doyle / I'm So Happy In My Home (Over There) 05:47
  18. 18 Julia Doyle / It's Real 04:46
  19. 19 The Swan Silvertone Singers / Introduction by Doc Wh… 00:44
  20. 20 The Swan Silvertone Singers / Sinner Man You Better Run 04:23
  21. 21 The Swan Silvertone Singers / The Lord's Prayer 05:53
  22. 22 The Swan Silvertone Singers / Move Up (Incomplete) 01:35
  23. 23 Prof. Herman Stevens & the Stevens Singers / Somewhe… 03:58
  24. 24 Prof. Herman Stevens & the Stevens Singers / The Lif… 02:07
  25. 25 Prof. Herman Stevens & the Stevens Singers / ...The … 01:33

George Wein, the jazz impresario behind the Newport Jazz Festival and the Newport Folk Festival (which began in 1954 and 1959 respectively), is responsible for showcasing younger, older, and rediscovered jazz, blues, and folk musicians alike. However, his vision also included adding complementary elements to the festivals, which presented leading and lesser-known figures from the regular Newport Festival programs at morning and afternoon workshops on the festival grounds.

By the time of the 1959 festivals (the year the Newport Folk Festival was launched) one of these complementary elements had become a Sunday morning workshop spotlighting gospel music. Prior to this, the richest expression of gospel music had primarily been relegated to churches and was intrinsically bound in the development of fundamentalist religion within the southern Afro-American communities. The Newport workshops broke ground by presenting gospel music in a non-secular environment.

Although many of the artists featured were strictly gospel singers, crossover performers like the Swan Silvertone Singers were also included, exposing the young, primarily northern white audience to the primarily southern black gospel artists in an intimate setting. In doing so, the festivals provided many northern white listeners with their first exposure to traditional gospel music.

With the help of legendary producer John Hammond and with respected musician and popular disc jockey, Doc Wheeler serving as master of ceremonies, they gathered many of the most impressive gospel singers on a single stage. At a time when soul music hadn't yet developed into a genre of its own, the energy, earthiness, and earnestness of these gospel performances made for an enthralling listening experience.

Here, we present in near entirety, the Sunday, July 5th Gospel Workshop presented at the 1959 Newport Jazz Festival. The presentation featured a world-class overview of gospel singers, with Professor Herman Stevens accompanying all the acts on organ.