Alan Hull - vocals, guitar, keyboards
Simon Cowe - vocals, lead guitar, mandolin, banjo
Ray Jackson - vocals, mandolin, harmonica
Rod Clements - bass, guitar, violin
Ray Laidlaw - drums
Shortly after the release of their third album, Dingly Dell, and still riding the crest of the success of Fog On The Tyne released the previous year, Lindisfarne took to the roads of America opening for the Kinks. Often lumped into the loosely defined category of British folk-rock and often compared to the groundbreakers Fairport Convention and Pentangle, they were distinctly different. Lindisfarne relied far less on traditional folk and although those influences were certainly present, they geared toward a more melodic rock oriented sound. Driven by the lyrics and melodies of primary songwriters Alan Hull, Simon Cowe and Rod Clements, Lindisfarne created a mixture of bright harmonies and high energy folk-rock into a sound uniquely their own. The band's spirited live performances, along with their sense of humor and fun, were the essential elements that contributed to Lindisfarne developing a dedicated following.
This performance, recorded at the Spectrum in Philadelphia in 1972, arguably the best possible time to have caught the band live, captures some of the excitement of that memorable American tour. This was the era when the group's future never looked brighter. Fans of the group's first three albums will be delighted at the choice of material here, as all three of those recordings are well represented. The group performs some of the best songs from the Nicely Out Of Tune and Fog On The Tyne albums, as well as material from Dingly Dell, when it was fresh and new to audiences.
The recording begins in progress with "Meet Me On The Corner," the group's hit single and one of the finest songs written by bassist Rod Clements. Lindisfarne continues with several tracks from the new album. "All Fall Down" and the country-style "Plankton's Lament" both feature memorable melodies and catchy lyrics. Venturing back to their 1970 album, Nicely Out Of Tune, the group delivers a harmonious rendition of "Turn A Deaf Ear" followed by Simon Cowe's "Go Back," which recalls the simplicity and surreal imagery of Syd Barrett's post-Pink Floyd solo work.
The middle of the set ventures back to earlier Alan Hull material, with "Alright On The Night," a standout track from Fog On The Tyne and "Lady Eleanor." The latter song was originally on the band's debut 1970 album, Nicely Out Of Tune, but when they became successful, it was reissued as a single, giving them another top 10 hit in England. They also treat the audience to "No Time To Lose," a track unreleased at the time that would eventually turn up as a bonus on the Fog On The Tyne reissue decades later.
The remainder of the set is utterly delightful. The Dingly Dell track, "Oh No Not Again" is as infectious and humorous as ever, but it's the extended jam on the set-closing "We Can Swing Together" that is most captivating. Written by Hull about an abortive police raid on a party, it is no wonder this became one of their favorite closers, featuring an extended medley of traditional folk tunes and plenty of high-energy musicianship. Although the tape stock ran out a few minutes prior to the conclusion of this extended set closer, it remains a testament to the band's live abilities and a rousing conclusion to an engaging performance.