Concert Vault

Joan Jett & The Blackhearts

Ritz (New York, NY)

Dec 31, 1981

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  1. 1 Introduction 00:15
  2. 2 Bad Reputation 02:08
  3. 3 (I'm Gonna) Run Away 02:40
  4. 4 Wait For Me 04:24
  5. 5 Wooly Bully 02:01
  6. 6 Bits And Pieces 02:24
  7. 7 You Don't Know What You Got 03:21
  8. 8 Victim Of Circumstance 02:57
  9. 9 Be Straight 03:00
  10. 10 I Love Rock N Roll 03:32
  11. 11 Nag 03:01
  12. 12 Little Drummer Boy 04:37
  13. 13 Crimson And Clover 03:15
  14. 14 You're Too Possessive 03:26
  15. 15 Love Is Pain 03:10
  16. 16 Black Leather 03:30
  17. 17 Do You Wanna Touch Me (Oh Yeah) 04:46
  18. 18 Star Star 03:48
  19. 19 Crowd 02:23
  20. 20 Shout 04:32
  21. 21 I Love Playing With Fire 07:21
  22. 22 Rebel, Rebel 04:27
  23. 23 Crowd 02:05
  24. 24 Summertime Blues 02:30
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Liner Notes

Joan Jett - lead vocals, guitar
Ricky Byrd - guitar, vocals
Gary Ryan - bass, vocals
Lee Crystal - drums

Recorded at New York's trendy Ritz club on New Years Eve 1981, this King Biscuit Flower Hour show features Joan Jett at the height of her recording career. Jett originally emerged from the ashes of the Runaways, the pioneering 1970s all-female rock band whose musical svengali was the infamous Kim Fowley. Though the punk-oriented Runaways never achieved any real substantial commercial success with the three albums they recorded for Mercury Records, they did launch a movement that became the inspiration for an entire generation of female rockers like the GoGos and Vixen.

When the band buckled under the weight of Fowley's hands-on, authoritarian leadership style, no one expected the band's rhythm guitarist, Joan Jett, to go on to a successful solo career - let alone the most successful of the bunch. After the Runaways collapsed, Jett was signed to producer/manager Kenny Lauguna, who helped her write and record her first solo album, a disc that focused more on straight ahead, no-frills rock than the more punk-oriented material she had done with the Runaways. Jett was unable to get a record deal, so she released the album independently - and it sold over 30,000 copies. That was enough for established labels, all of whom had rejected her after the Runaways, to take another look.

She signed with Boardwalk Records, who released the album in 1980, under the name Bad Reputation. It soared to #51 in a matter of weeks, and soon Jett was making her second, breakthrough album, I Love Rock 'N Roll. The title track, a re-make of the B-side of a 1966 Arrows single, was a sing-along anthem that helped the album to become one of the biggest sellers of the 1980s - and firmly established Jett as an iconoclastic female rock 'n' roll star.

There are a number of highlights from this show, especially in the many high-energy covers she does, which include Sam The Sham's "Wooly Bully," The Dave Clark Five's "Bits and Pieces," Tommy James and the Shondell's "Crimson and Clover," The Rolling Stones' "Star Star," David Bowie's "Rebel, Rebel" and Eddie Cochran's "Summertime Blues." Of course, you'll hear all her own hits as well, including "Bad Reputation," "Do Ya Wanna Touch Me" and "I Love Rock N Roll."

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More Joan Jett & The Blackhearts

Joan Jett - lead vocals, guitar
Ricky Byrd - guitar, vocals
Gary Ryan - bass, vocals
Lee Crystal - drums

Recorded at New York's trendy Ritz club on New Years Eve 1981, this King Biscuit Flower Hour show features Joan Jett at the height of her recording career. Jett originally emerged from the ashes of the Runaways, the pioneering 1970s all-female rock band whose musical svengali was the infamous Kim Fowley. Though the punk-oriented Runaways never achieved any real substantial commercial success with the three albums they recorded for Mercury Records, they did launch a movement that became the inspiration for an entire generation of female rockers like the GoGos and Vixen.

When the band buckled under the weight of Fowley's hands-on, authoritarian leadership style, no one expected the band's rhythm guitarist, Joan Jett, to go on to a successful solo career - let alone the most successful of the bunch. After the Runaways collapsed, Jett was signed to producer/manager Kenny Lauguna, who helped her write and record her first solo album, a disc that focused more on straight ahead, no-frills rock than the more punk-oriented material she had done with the Runaways. Jett was unable to get a record deal, so she released the album independently - and it sold over 30,000 copies. That was enough for established labels, all of whom had rejected her after the Runaways, to take another look.

She signed with Boardwalk Records, who released the album in 1980, under the name Bad Reputation. It soared to #51 in a matter of weeks, and soon Jett was making her second, breakthrough album, I Love Rock 'N Roll. The title track, a re-make of the B-side of a 1966 Arrows single, was a sing-along anthem that helped the album to become one of the biggest sellers of the 1980s - and firmly established Jett as an iconoclastic female rock 'n' roll star.

There are a number of highlights from this show, especially in the many high-energy covers she does, which include Sam The Sham's "Wooly Bully," The Dave Clark Five's "Bits and Pieces," Tommy James and the Shondell's "Crimson and Clover," The Rolling Stones' "Star Star," David Bowie's "Rebel, Rebel" and Eddie Cochran's "Summertime Blues." Of course, you'll hear all her own hits as well, including "Bad Reputation," "Do Ya Wanna Touch Me" and "I Love Rock N Roll."