Concert Vault

J. Geils Band

Academy of Music (New York, NY)

May 5, 1973

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  1. 1 (Ain't Nothin' But A) House Party 04:05
  2. 2 Whammer Jammer 02:43
  3. 3 Give It To Me 11:16
  4. 4 Serves You Right To Suffer 13:56
  5. 5 Lookin' For A Love 05:14
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Liner Notes

John Geils - guitars; Stephen Bladd - percussion, drums; Seth Justman - keyboard, vocals; Danny Klein - bass; Magic Dick - harmonica; Peter Wolf - vocals

This recording of the J. Geils Band was captured at the Academy of Music in New York City in May of 1973 for the King Biscuit Flower Hour. The show took place less than a month after the quintet released their third studio album, Bloodshot, a record that reached #10 on the Billboard Pop Album charts.

The band is in fine form, opening up with the leadoff track from the aforementioned Bloodshot. "(Ain't Nothin' But A) House Party" is an upbeat, bluesy rocker, that is a sign of things to come. They head straight into a cover of Juke Joint Jimmy's "Whammer Jammer." The group was known for covering blues staples, especially those of Juke Joint Jimmy's, and they cover three of his songs on their first two albums.

Though the first two songs combine to be about six minutes long, the group's third song (and first original) "Give It To Me," the epic final track from Bloodshot, goes a little longer. For the first time, the group open things up and embark on an extended jam. Guitarist and founder John Geils takes over the 11-plus minute centerpiece with some impressive pentatonic lead guitar work. Fitting in beside "Give It To Me" is their fourth song, John Lee Hooker's "Serves You Right To Suffer." The bands 14-minute version is highlighted by vocalist Peter Wolf's commanding performance as he raps Hooker's lyrics with total commitment.

Their final song is the drum-driven "Lookin' For Love," a song written by famous R&B man James "J.W." Anderson. The song features a spellbinding lick-for-lick sequence with Geils, keyboardist Seth Justman, and harmonica player Magic Dick. The rhythm section is also rock solid, as drummer Stephen Bladd and bassist Danny Klein never fall behind the frenetic pace. It is a fantastic, rollicking way to end an exuberant effort from a band in its prime.

Though J. Geils band was best known for their '80s pop hit "Centerfold," they formed 15 years before the release of said song. In the mid-'60s, Worcester, Massachusetts blues guitarist John Geils formed a blues group called Snoopy and the Sopwith Camels with Danny Klein on bass and Richard "Magic Dick" Salwitz on harmonica. In 1967, the group recruited Peter Wolf to sing and Stephen Jo Bladd on drums under the moniker the J. Geils Blues Band. By 1970, the group had signed with Atlantic Records, picked up Seth Justman on organ, and dropped "Blues" from their name.

The group released its self-titled debut on November 16, 1970, and it wasn't much of a commercial success. However, it charted in the Billboard Top 200 (#195), and gave the band a base to start touring. About half of the disc's 11 songs are covers of songs made popular by famous blues singers, like John Lee Hooker's "Serves You Right to Suffer" and "First I Look At the Purse" — a song co-written by Smokey Robinson and Bobby Rogers (member of the Miracles), that was made famous by the Contours. Their next album, 1971's The Morning After, shared a similar covers-to-originals ratio to its predecessor, but it was a bigger hit, charting at #64.

Over the next nine years, they put out more than seven studio albums, two live albums, and a "Best of" disc, but none of them made the commercial dent that their 1981 album Freeze Frame did. Freeze Frame hit #1 mostly on the strength of the massive single "Centerfold." The single shot up the charts, hitting the top of the Billboard Hot 100. Though the album was much more radio-friendly and polished than their early work, it retains a touch of the bluesy style of their past, especially in Geils' guitar work.

Only two years after their monster hit, Wolf left the group, citing creative differences. From there, the band began to fall apart. The released the 1984 flop, You're Gettin' Even While I'm Getting' Odd, with Justman on vocals and called it a day shortly thereafter.

The group has since reformed to play the occasional one-off show, but they show no signs of reforming fulltime.

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More J. Geils Band

John Geils - guitars; Stephen Bladd - percussion, drums; Seth Justman - keyboard, vocals; Danny Klein - bass; Magic Dick - harmonica; Peter Wolf - vocals

This recording of the J. Geils Band was captured at the Academy of Music in New York City in May of 1973 for the King Biscuit Flower Hour. The show took place less than a month after the quintet released their third studio album, Bloodshot, a record that reached #10 on the Billboard Pop Album charts.

The band is in fine form, opening up with the leadoff track from the aforementioned Bloodshot. "(Ain't Nothin' But A) House Party" is an upbeat, bluesy rocker, that is a sign of things to come. They head straight into a cover of Juke Joint Jimmy's "Whammer Jammer." The group was known for covering blues staples, especially those of Juke Joint Jimmy's, and they cover three of his songs on their first two albums.

Though the first two songs combine to be about six minutes long, the group's third song (and first original) "Give It To Me," the epic final track from Bloodshot, goes a little longer. For the first time, the group open things up and embark on an extended jam. Guitarist and founder John Geils takes over the 11-plus minute centerpiece with some impressive pentatonic lead guitar work. Fitting in beside "Give It To Me" is their fourth song, John Lee Hooker's "Serves You Right To Suffer." The bands 14-minute version is highlighted by vocalist Peter Wolf's commanding performance as he raps Hooker's lyrics with total commitment.

Their final song is the drum-driven "Lookin' For Love," a song written by famous R&B man James "J.W." Anderson. The song features a spellbinding lick-for-lick sequence with Geils, keyboardist Seth Justman, and harmonica player Magic Dick. The rhythm section is also rock solid, as drummer Stephen Bladd and bassist Danny Klein never fall behind the frenetic pace. It is a fantastic, rollicking way to end an exuberant effort from a band in its prime.

Though J. Geils band was best known for their '80s pop hit "Centerfold," they formed 15 years before the release of said song. In the mid-'60s, Worcester, Massachusetts blues guitarist John Geils formed a blues group called Snoopy and the Sopwith Camels with Danny Klein on bass and Richard "Magic Dick" Salwitz on harmonica. In 1967, the group recruited Peter Wolf to sing and Stephen Jo Bladd on drums under the moniker the J. Geils Blues Band. By 1970, the group had signed with Atlantic Records, picked up Seth Justman on organ, and dropped "Blues" from their name.

The group released its self-titled debut on November 16, 1970, and it wasn't much of a commercial success. However, it charted in the Billboard Top 200 (#195), and gave the band a base to start touring. About half of the disc's 11 songs are covers of songs made popular by famous blues singers, like John Lee Hooker's "Serves You Right to Suffer" and "First I Look At the Purse" — a song co-written by Smokey Robinson and Bobby Rogers (member of the Miracles), that was made famous by the Contours. Their next album, 1971's The Morning After, shared a similar covers-to-originals ratio to its predecessor, but it was a bigger hit, charting at #64.

Over the next nine years, they put out more than seven studio albums, two live albums, and a "Best of" disc, but none of them made the commercial dent that their 1981 album Freeze Frame did. Freeze Frame hit #1 mostly on the strength of the massive single "Centerfold." The single shot up the charts, hitting the top of the Billboard Hot 100. Though the album was much more radio-friendly and polished than their early work, it retains a touch of the bluesy style of their past, especially in Geils' guitar work.

Only two years after their monster hit, Wolf left the group, citing creative differences. From there, the band began to fall apart. The released the 1984 flop, You're Gettin' Even While I'm Getting' Odd, with Justman on vocals and called it a day shortly thereafter.

The group has since reformed to play the occasional one-off show, but they show no signs of reforming fulltime.