Carlos Santana - guitar, vocals
Tony Lindsay - lead vocals
Benny Rietveld - bass, vocals
Chester Thompson - keyboards
Billy Johnson - drums
Raul Recow - conga, vocals
Carl Peraso - timbales, maracas, vocals
Armando Peraza - percussion
Guests
Bobby McFerrin - vocals
David Hidalgo - guitar, vocals
Cesar Rosas - guitar, vocals
Steve Berlin- sax
Conrad Lazano - bass
Louis Perez - drums
From the first public Mime Troupe events in 1965 to his untimely death in 1991, Bill Graham set the standard for excellence in concert presentations and in doing so, redefined the art of communication for an entire generation. To honor Bill Graham, Steve Kahn and Melissa Gold, the BGP staff organized a free concert in Golden Gate Park for Sunday, November 3. Mother Nature cooperated and provided a comfortable and cloudless day as 300,000 people gathered in the Polo Field of Golden Gate Park.
Although the Grateful Dead were expected to make an appearance, the list of performers was kept well under wraps and few had any idea who exactly would be performing. It didn't seem to matter though, as the feeling that permeated the crowd was one of quiet reflection. This concert marked the end of an era, but also memorialized Bill Graham in a manner that was fitting - a free concert in the heart of where it all started. The sad circumstances aside, this was truly a celebration of Graham's life and as the poster for this event noted, it was to be a day filled with Laughter, Love and Music.
Bill Graham's love for Latin music is well documented and his association with Santana dates back to the earliest days of the band, when they were frequently featured at the Fillmores. So it comes as no surprise that the first group to be given an extended slot on the bill this day was Santana. The group delivered an extremely engaging set that included several special guests, including a return of Bobby McFerrin as well as the members of Los Lobos. While this era of Santana is not as popular as other incarnations of the group, the performance delivered on this afternoon ranks as one of the strongest and most spiritual performances of their entire career.
Kicking things off with a sizzling take on "Spirits Dancing in the Flesh," they immediately establish the tone of things to come. This is truly an incendiary performance, with Carlos penetrating leads soaring over the percolations of a tightly focused band.
They continue with the appropriately titled "Somewhere in Heaven." The piece begins with vocalist Tony Lindsay and the group providing a soulful context for Carlos' introspective guitar work, which drips with deep feeling and emotional impact. After the initial vocal sequence, the band takes off into a smoking jam that features Carlos at his best, before returning to the spiritual context with which it began.
A contemplative feeling continues into the next piece, a trilogy that opens with John Coltrane's "Peace on Earth." This segues directly into a rocking rendition of "Mother Earth," before launching into Jimi Hendrix's classic "Third Stone From the Sun." As the band brings the Hendrix section to a close, they keep the momentum going by transitioning into "Oye Coma Va." This favorite of Bill Graham includes Los Lobos' sax player, Steve Berlin, blowing a nice solo early on, before fellow bandmembers David Hildago and Cesar Rosas join in on additional guitars. This extended jam also features Bobby McFerrin returning to the stage to help out with additional vocals. This trilogy is certainly one of the early highlights of the day.
At this point, Los Lobos take over for a number. With Carlos remaining onstage to spice it up on guitar, they perform The Grateful Dead's "Bertha" together, much to the delight of the audience.
Los Lobos exit, and while Santana members return to the stage, Carlos dedicates the next number to Bill Graham. "I Love You Too Much" again features the band in a spiritual light, with lovely contemplative guitar work from Carlos, much like his most memorable moments on the classic Santana track, "Samba Pa Ti."
They conclude the set by reaching back to the earliest days of the band by performing Baba Olatungi's classic "Jingo," featuring brief solos from everyone in the group. In all, this is a thoroughly engaging performance that stands as a loving tribute to Bill Graham and a celebration of life for the multitudes assembled in the park.
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